ARRI AMIRA PREMIUM

ARRI AMIRA, a versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation.


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Description

ARRI AMIRA rental at Aimimage – benefit from a great camera that features the same sensor and impressive image quality as its fellow ARRI camera, the Alexa.

The ARRI AMIRA Premium records 1080p, 2K and UHD pictures, suitable for most distribution formats. Boasting an impressive dynamic range of more than 14 stops, ridiculously low noise levels and subtle highlight handling, not to mention natural colour rendering, life-like skin tones and frame rates of up to 200fps, the ARRI AMIRA Premium will leave you very impressed. So impressed, you’ll want to thank us personally for your ARRI AMIRA Rental.

ARRI AMIRA Features:

Life-like skin tones and natural colours

The ARRI AMIRA employs the same sensor as ARRI’s ALEXA cameras, and therefore boasts the same impressive image quality, recording in 1080p, 2K or UHD. Rendering natural, organic colours and skin tones with incredible texture and beauty, the ARRI AMIRA will capture vibrant, life-like images in any environment.

14-stop dynamic range with low noise

The ARRI AMIRA Premium offers superior image quality that looks great in any distribution format or resolution. This is thanks to a dynamic range of more than 14 stops and low noise levels as well as subtle highlight handling. The camera is suitable for various kinds of production, but in particular for documentary-style projects where handheld camerawork and single-operator usability are key factors.

200 fps with CFast 2.0 memory cards

The ARRI AMIRA records Rec 709 and Log C images, using ProRes LT, 422, 422HQ and 444 codecs, whilst speeds of up to 200 frames per second enable slow motion pictures of amazing clarity and detail to be captured. CFast 2.0 flash memory cards with rapid data rates make the route into postproduction as simple and fast as possible.

ARRI AMIRA Specifications:

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Products, AMIRA
Sensor Type, 35mm format ARRI ALEV III CMOS (28.17×18.13)
Sensor Pixel Count, 3414 x 2198: 3200×1800 (4K UHD) 2880 x 1620 (HD) / 2868 x 1612 (2K) / for monitoring with surround area: 3168 x 1772 (HD) / 3154×1764 (2K)
Recording Pixel Count, 1920×1080 ProRes HD and HD outputs / 2048 x 1152 ProRes 2K / 3840 x 2160 Pro Res 4K UHD and UHD outputs*
Lens Mounts, PL mount w/ Hirose connector and LDS / B4 mount w/ Hirose connector / EF mount
Shutter, Electronic shutter / 5.0° to 356.0°
Exposure Index, EI 160 to EI 3200 (EI 800 base sensitivity)
Exposure Latitude, 14 stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
Audio Recording, 4 channels / 24 bit PCM / 48 kHz
Integrated motorized ND Filters, FSND 0.6 / 1.2 / 2.1
Sound Level, < 20 dB(A)
Weight, ~ 4.1 kg/9.2 lbs (camera body with PL Lens mount)
Dimensions, Length: 309mm/12.1″ / width: 139 mm/5.4″ / height: 149mm/5.8″ (camera body with PL lens mount)
Environmental, ‘-20° C to 50° C (-4° F to 122° F)
Viewfinder, AMIRA Multi Viewfinder MVF-1 (OLED and LCD)
Outputs Video, 2x HD-SDI out 1.5G / 3G and 6G: uncompressed HD/UHD video with embedded audio and metadata***
Outputs Audio, 3.5mm headphone jack / Bluetooth audio
Outputs Power, Hirose 12pin (for ENG type zoom lenses); 12V: D-tab / Hirose 4pin / Lemo 2pin; 24V: RS 3pin
Inputs, Genlock / HD-SDI / Timecode (In and Output) / all BNC
Other Interfaces, USB 2.0: For importing and storing AMIRA Look Files / user set up files / frame line files and feature license keys. Stores captured still image formats in DPX (.dpx / 10 bit) or JPEG (.jpg / 8 bit) format. Stores log files. Also used for installing Software Update Packets (SUPs / Ethernet LAN RJ-45 for camera remote control.
Recording Media, CFast 2.0 memory cards
Recording Formats, HD 1920×1080 (interlaced & progressive) / 4K UHD 3840×2160*
Recording Framerates, 0.75 – 100 Fps (progressive) / 0.75 – 60 Fps with 4K UHD*
Recording Codecs (w/ embedded audio & metadata), ProRes /422 / 422 (LT)
Rec709/LogC, Rec709
Looks, 3 fix Looks (in camera adjustable)
Adjustable image parameters, Knee / Gamma / Saturation / Black Gamma / Saturation by Hue
Import of custom 3D LUTs, –
Focus and exposure control, Peaking / Zebra / False color
Whitebalance, Auto WB
Wifi** and Ethernet Camera Remote Control, –
Audio monitoring, Headphone output (mini jack)
Pre Record function, –
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* Requires installed 4K UHD license
** Will be supported with later SUP
*** embedded audio only in 1,5G and 3G