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RED WEAPON 8K HELIUM

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The Helium sensor offers up to 17x more resolution than HD, as well as more than 4x more resolution than 4K. Weapon 8K showcases improved low-light sensitivity and spectacular dynamic range, whilst also benefiting from the advanced modular aspects of the RED ecosystem.

SKU: The Helium sensor offers up to 17x more resolution than HD, as well as more than 4x more resolution than 4K. Weapon 8K showcases improved low-light sensitivity and spectacular dynamic range, whilst also benefiting from the advanced modular aspects of the RED ecosystem. Categories: ,
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Description

Features:

Cable-free peripherals

Integrated Media Bay

Wireless Control

HELIUM 35.4 Megapixel CMOS

16.5+ stops

REDCODE RAW up to 8K Full Frame (8192 x 4320) and 60 fps

REDCODE RAW up to 8K 2.4:1 (8192 x 3456) and 75 fps

Apple ProRes 422 HQ up to 4K (4096 × 2160) and 29.97 fps

Avid DNxHR HQX up to 4K (4096 × 2160) 12-bit and 29.97 fps

3.3 lbs (BRAIN® with Integrated Media Bay)

3D LUT support

Integrated REDLINK® WiFi antenna

 

 

Specifications:

Effective Pixels: 8192 x 4320

Sensor Size: 29.90mm x 15.77mm (diagonal: 33.80mm)

Dynamic Range: 16.5+ stops

Max Frame Rates: 60 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456)

 

60 fps at 7K Full Format (7168 x 3780), 75 fps at 7K 2.4:1 (7168 x 3024)

 

75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592)

 

96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)

 

120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)

 

150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)

 

240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)

 

Max Data Rates: Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)

Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

 

Playback Frame Rates (Project Timebase): 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

Recode Settings Range from 2:1 up to 22:1 :

5:1 REDCODE for 8K Full Format (8192 x 4320) at 24 fps

 

12:1 REDCODE for 8K Full Format (8192 x 4320) at 60 fps

 

2:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps

 

3:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps

 

Redcode Raw Acquisition Formats:

8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

 

7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

 

6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

 

5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

 

4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x

 

3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

 

2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

 

Apple ProRes:

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps

ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

 

Avid Codecs:

DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps

DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps

DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps

DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps

DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

 

Construction: Aluminium Alloy

Weight: 3.35 lbs (BRAIN with Integrated Media Bay)

Operating Temperature: 0°C to 40°C (32°F to 104°F)

Storage Temperature: –20°C to 50°C (–4°F to 122°F)

Relative Humidity: 0% to 85% non-condensing

Colour Management: Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs

Variable number of 3D LUT outputs with DSMC2 expander module

User programmable shaper 1D LUTs

Tetrahedral interpolation, 16-bit processing

Audio: Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz

Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

Remote Control: Integrated R.C.P. WiFi antenna

Ethernet, RS232, and GPI Trigger with DSMC2 expander module

Monitor Options: DSMC2® Touch 7.0″ Ultra-Brite LCD (Direct Mount), DSMC2® RED Touch 4.7″ LCD, DSMC2® RED Touch 7.0″ LCD and DSMC2® RED EVF (OLED) with cable-free connection.

RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, DSMC2 Touch 7.0″ Ultra-Brite LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LCD/EVF Adaptor A or DSMC2 LCD/EVF Adaptor D, and LCD/EVF cable.

 

Redcine-X Pro Delivery Formats: 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF

1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

 

Video Editing Software Compatibility: Adobe Premiere Pro, AVID Media Composer,

DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro