Arri Alexa Mini
Super 35 Cinema Camera – PL Mount
Compact, lightweight, and self-contained – ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family.
The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, ALEXA Mini comes with a series of interchangeable lens mount, allowing the use of B4 video, EF mount stills lenses, or with the even ARRI Signature Primes with the LPL mount for ALEXA Mini.
4:3 & Raw Licenses included.
- Description
Description
ARRI is known for its overall image quality by using bigger pixels rather than small pixels in a larger number. The ARRI ALEXA MINI captures real colours and life-like skin tones, whether you use an output of HD, 2K, UHD or 4K. Many professional filmmakers choose to go ahead with ARRI ALEXA MINI rental due to its quality and precision. Expert in specialised shots, the ALEXA MINI allows professionals to work with an impressive range of features, which makes the overall experience of this camera a pleasant one.
ARRI ALEXA MINI
Unique design solutions
ARRI ALEXA MINI design solutions include lightweight carbon housing, integrated and sealed electronic, and a solid titanium PL. These elements ensure a perfect stable flange focal distance, as they connect directly with the internal sensor mount. Moreover, the small size and lightweight nature of the camera makes it easy to transport anywhere.
Many shooting options, perfect quality
Thanks to the wireless remote control, ARRI ALEXA MINI can be used in many ways. As all images come from the same sensor, they share the same colour space. The symmetrical design permits you to film in any orientation and offer you multiple creative mounting solutions. The best option is the possibility to replace the lens mount with any of those from the ARRI AMIRA range, including the use of EF mount stills lenses and B4 video. Thanks 4:3 sensor and automatic de-squeeze function, images match perfectly.
Save time
The best advantages when choosing to go ahead with ARRI ALEXA MINI rental is saving time regarding configuration. The specialised shots specialities eliminate the need to get a third party camera. Thanks to this camera’s maximum frame rate of 200 fps, it can be used for beautiful slow-motion cinematography without the need of a separate high-speed camera.
Unprecedented overall image quality
ARRI ALEXA MINI record 4K UHD ProRes which facilitate real-time 4K UHD output and pipelines for high-resolution projects. By focusing on dynamic range and other image quality parameters rather than just spatial resolution, this camera gets an unprecedented overall image quality
Lens metadata
The added value of this technology is the frame accurate metadata about focus, iris and zoom settings. It allows precise adjustment during a shot as well as lens mapping to pre-marked focus ring.
ARRI ALEXA MINI Specifications:
Dimensions
Length,185 mm/7.3″
Width,125 mm/4.9″
Height,140 mm/5.5″
Weight,2.3 kg/5 lbs (camera body with titanium PL lens mount)
Sensor,35 mm format ARRI ALEV III CMOS with Bayer pattern color filter array
Photo sites (with surround view), 16:9
HD, 2880×1620 (3168×1772)
2K, 2868×1612 (3154×1764)
3.2K, 3200×1800 (3424×1926)
4K UHD, 3200×1800 (3424×1926)
2K, 2867×2150 (3168×2160)
Shutter, Electronic shutter – 5.0 to 356.0
Exposure latitude,14 stops over the entire sensitivity range from EI 160 to EI 3200 – as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
Exposure index,EI 800 base sensitivity
Filters,Built-in motorized ND filters 0.6/ 1.2/ 2.1
Lens mounts,Titanium PL mount with L-Bus connector and LDS
Recording media,CFast 2.0 memory cards
Recording formats,HD 1920×1080
,2K Cine 16:9 2048×1152
,2K Cine 4:3 2048×1536 *
,3.2K 3200×1800
,4K UHD 3840×2160
,ARRIRAW 2.8K 16:9 2880×1620 *
,ARRIRAW 2.8K 4:3 2880×2160 *
Recording codec,ProRes 4444XQ/ 4444/ 422 (HQ)/ 422/ 422(LT)/ ARRIRAW *
Color output,Rec 709/ custom look or Log C
Look control,Import of custom 3D LUT – ASC CDL parameter (slope – offset – power – saturation)
Adjustable image parameters,Knee – gamma – saturation – black gamma – saturation by hue
Focus and exposure control,Peaking – zebra – false color
White balance,Manual and auto white balance
Sound level,-20 dB(A) at standard frame rates
Environmental,-20 C to 50 C (-4 F to 122 F) @ 95% humidity max / non-condensing
Viewfinder,Multi Viewfinder MVF-1 (OLED and LCD ) with flip-out LCD screen
Control interface,Soft buttons and OSD on SDI output/ integration of Transvideo StarliteHD touch interface *
ARRI lens motor control,Built-in radio interface for ARRI lens control
,L-Bus motor output for daisy-chainable cforce lens control motors
Wi-Fi remote control,Built-in Wi-Fi interface and web-based remote control from phones / tablets and laptops
Custom control,Optional GPIO interface for integration with custom control interfaces
Power input,Lemo 8-pin / 10.5-34 V DC
Video outputs,2x HD-SDI out 1.5G
3G,uncompressed HD video with embedded audio and metadata / SDI-6G interface to external CODEX recorder *
Inputs,SDI-Genlock (optional activation through ARRI Service)/timecode (in and output)
