Sony Venice
Full Frame Cinema Camera – PL Mount
The Sony VENICE is a high-end 6K full-frame digital cinema camera widely used in professional film production for its exceptional colour science, 15+ stops of latitude, and Dual Base ISO (800/3200). Key features include8-stop internal ND filters, interchangeable mounts (PL/E-mount), and versatile recording formats, including 16-bit X-OCN
- Description
Description
Venice is the next generation motion picture camera system, featuring a newly developed full-frame image sensor, designed to meet the needs of industry professionals and pus the boundaries of large format image capture, along with outstanding picture quality.
Sony Venice Cinealta
Features:
36x24mm full-frame image sensor for high end cinematography.
Native support for Super35 24.3 x 12.8mm, 4096 x 2160 resolution.
Super35 full height 2.0 squeeze Anamorphic.
15+ stops of latitude
Super35 17:9 and 16:9
High Speed Readout Sensor
PL Lens Mount
Lever Lock Type E-mount
Next Generation Viewfinder
Specifications:
General
| Power Requirements | DC12V (1117.0V)
DC24V (22~32.0V) |
| Operating Temperature | 0 to 40 |
| Storage Temperature | -20 to 60 |
| Mass | Approx. 3.9kg (8lb 10oz) (without lens, handle, VF attachment expansion bottom plate and accessories) |
| Dimensions | 133 x 159 x 172 mm (without protrusion) |
Camera
| Imaging Device | Full-Frame CMOS |
| Imaging Device Pixel Count | 24.7M (total), 24.4M (effective) |
| Imaging Device Size | 36.2×24.1mm. 43.5mm (diagonal) |
| Built-In ND Filters | Clear, 0.3(1/2), 0.6(1/4), 0.9(1/8), 1.2(1/16), 1.5(1/32), 1.8(1/64), 2.1(1/128), 2.4(1/256) |
| ISO Sensitivity | ISO500 |
| Lens Mount | PL Mount
E-mount (lever lock type, without supplied PL lens mount adaptor) |
| Latitude | 15+ Stop |
| Select FPS* | Imager mode:
3.8K 16:9, 4K 17.9: 1-60FPS 4K 4:3: 1-48FPS 4K 6:5, 5.7K 16:9, 6K 17:9, 6K 1.85:1, 6K 2.39:1: 1-30FPS 6K 3:2: 1-24FPS |
| White Balance | 2000~15000Kelvin and Green/Magenta adjust, AWB* |
| Gamma Curve | S-Log3 |
Recording
| Recording Format (Video) | XAVC 4K Class480: 23.98p, 24p, 25p, 29.97p
XAVC 4K Class300: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p XAVC QFHD Class480: 23.98p, 25p, 29.97p XAVC QFHD Class300: 23.98p, 25p, 29.97p, 50p, 59.94p MPEG HD422(1920×1080): 23.98p, 24p, 25p, 29.97p, 50i, 59.94i HD ProRes 422HQ*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 60i HD ProRes 422*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i HD ProRes 422 Proxy*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i |
| Recording Format (RAW/X-OCN) *required AXS-R7 | RAW SQ:
4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p 3.8K 16:9 (3840 x 2160): 23.98p, 25p, 29.97p, 50p, 59.94p
X-OCN ST/LT: 6K 3:2(6048 x 4032)*: 23.98p, 24p, 6K 2.39:1 (6048 x 2530)*: 23.98p, 24p, 25p, 29.97p 6K 1.85:1 (6048 x 3270)*: 23.98p, 24p, 25p, 29.97p 6K 17:9 (6048 x 3190)*: 23.98p, 24p, 25p, 29.97p 5.7K 16:9 (5672 x 3190)*: 23.98p, 25p, 29.97p 4K 6:5(4096×3432)*:23.98p, 24p, 25p, 29.97p 4K 4:3(4096×3024) :23.98p, 24p, 25p*, 29.97p* 4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p 3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p |
| Recording Format (Audio) | LPCM 4ch , 24-bit48-kHz |
Inputs / Outputs
| DC Input | XLR-type 4pin (male) |
| Battery DC Input | Square-shaped 5pin connector |
| DC Output | 12V: Hirose 4pin x1
24V: Fischer 3pin x2 |
| SDI Output | BNC4, (12G, 3G, 1.5G-SDI) |
| HD MONI Output | BNCx1 (1.5G-SDI) |
| HDMI Output | Type A 1 |
| VF | LEMO 26pin |
| Audio Input | XLR-type 5pin (female) x1 (LINE/ AES/EBU / MIC / MIC+48V selectable) |
| Timecode Input | BNC x1 |
| Genlock Input | BNC x1 |
| AUX | LEMO 5pin (female) x1 (Timecode Output) |
| Remote* | 8pin x1 |
| Lens* | 12pin x1 |
| Lens Mount Hot Shoe | 4pin x2, conforming to Cooke /i Intelligent Electronic Lens System |
| Network* | RJ-45 type x1, 10BASE-T, 100BASE-TX |
| USB* | USB host, type-A x1 |
| Headphone Output | Stereo mini jack x1 |
| Speaker Output | Monaural |
| Media Type | ExpressCard/34 slot2
SD card slot 1 |
